The 2017 MOVIEGUIDE® Awards Nominations

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Yes, it’s that magical time of the year, where the six or seven loyal readers of this blog interested in all things MovieGuide® get to find out what films from the past year Dr. Baehr and company have decided deserve their coveted accolades.

While I don’t know exactly how these movies are chosen, I do know that – as opposed to most film awards – the MovieGuide® Awards don’t necessarily have to do with quality filmmaking or acting (although some of the nominees are quality nominees). Rather, the award nominations are based on the films that Dr. B and company decide are best for the family👪 and for America🇺🇸, so for that – those of us who are a part of American🇺🇸 families👪 extend our most grateful gratitude towards the MovieGuide® offices, because – as the great Barry Manilow once crooned – we can’t smile without you, MG®.

So, without further ado, here are the movies that MovieGuide® considers the best of the best:

The 2017 MOVIEGUIDE® Awards Nominations 

Epiphany Prize to the Most Inspiring Movie of 2017

All Saints

Bitter Harvest

The Boss Baby

The Case for Christ

Let There Be Light

The Promise

The Star

Epiphany Prize to the Most Inspiring Television Program of 2017

Blue Bloods: Cutting Losses

The Crown: Veregangenheit

Last Man Standing: Take Me to Church

Little Big Shots: Tiny Dancer

The Long Road Home: Black Sunday, Part 2

Victoria: An Ordinary Woman and The Queen’s Husband

The Faith & Freedom Award for Movies

The Faith & Freedom Awards for Promoting Positive American Values are awarded for entertainment value, for craftsmanship, and for creating programming that is uplifting, moral, insightful, compassionate, and that shows America and its people in a positive light.

Bitter Harvest

The Boss Baby

Darkest Hour

Dunkirk

The LEGO Batman Movie

The Promise

Wonder

Best Movie for Families

“The Boss Baby

Cars 3

The Case for Christ

Despicable Me 3

The Emoji Movie

Ferdinand

The LEGO Batman Movie

The Man Who Invented Christmas

Smurfs: The Lost Village

The Star

Best 2017 Movies for Mature Audiences

All Saints

Bitter Harvest

Darkest Hour

Dunkirk

Justice League

Pirates of the Caribbean: Dead Men Tell No Tales

The Promise

Thor: Ragnarok

Wonder

Wonder Woman

Grace Award for Most Inspiring Performance for Movies

Erika Christensen for “The Case for Christ”

John Corbett for “All Saints”

Oscar Isaac for “The Promise”

Kevin Sorbo for “Let There Be Light”

Sam Sorbo for “Let There Be Light”

Terrence Stamp for “Bitter Harvest”

Dan Stevens for “The Man Who Invented Christmas”

Mike Vogel for “The Case for Christ”

Christie Peters Grace Award Nominees for TV

Tim Allen for “Last Man Standing: Take Me to Church”

Len Cariou for “Blue Bloods: Cutting Losses”

Jenna Coleman for “Victoria: An Ordinary Woman and The Queen’s Husband”

Bill Engvall for “Last Man Standing: Take Me to Church”

Claire Foy for “The Crown: Veregangenheit”

Steve Harvey for “Little Big Shots: Tiny Dancer”

Tom Hughes for “Victoria: An Ordinary Woman and The Queen’s Husband”

Michael Kelly for “The Long Road Home: Black Sunday, Part 2”

Tom Selleck for “Blue Bloods: Cutting Losses”

Paul Sparks for “The Crown: Veregangenheit”

The MovieGuide® Awards are scheduled for February 2, 2018 at the Universal Hilton Hotel. It’s usually televised a couple of weeks later, but right now that information is not available.

And if anyone from MovieGuide® happens to read this (and I write this every year, yet to hear back from the MovieGuide® folks) I’d love to find out a couple of things from you: first, what is the process for selecting the nominees and deciding the winners? Second, why don’t you air the show live?

 

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The Shepherd – The Must-See Christmas Movie of the Year (and it’s less than 30 minutes!)

I love Christmas movies.

home aloneOn the Friday after Thanksgiving, I start pulling them out, and I watch the gamut with my kids. We always start with Home Alone, and then Elf, and then everything else from Arthur Christmas to The Santa Clause.  Yes, we even watch and enjoy Home Alone 3 (although it stops there… Home Alone 4 and 5 are dead to me).

The movies we watch celebrate the Christmas season by telling stories about presents, Santa, magic, trains to the North Pole, Red Ryder BB guns, and ghosts of various time periods. None of them (with the exception of Charlie Brown) even consider the importance of the birth of Jesus or the idea that Christmas has any holy or sacred aspect at all. Thinking about this even led me to argue that Christopher Nolan’s Interstellar is more of a Christmas movie than most Christmas movies a couple of years ago.

But this year, I happened upon a gem of a little movie: a Christmas movie about the birth of Jesus that is powerful, fresh, well-made, and worth every moment of your time to watch.

The film – less than thirty minutes in length – is called The Shepherd, and it was made by Dallas Jenkins (The Resurrection of Gavin Stone). This is apparently the pilot of The Chosen, a series Jenkins is hoping to make about the witnesses of Jesus’ life, and if the quality of The Shepherd is any indication, we need to make sure The Chosen gets made. Watch the end of the video for a pitch from Jenkins about how you can be involved in this endeavor.

Shepherd-SocialThe Shepherd tells the story of the birth of Jesus from the point of view of one of the shepherds, and while the “eye-witness” conceit may not be original in and of itself, in this case the execution is. The Shepherd succeeds where so many faith-based and Bible films fail – showing and not telling, using the visuals and music to sell the story (and yes, even the message), and making an otherwise oft-told story seem fresh and real.

If you are a regular reader of this blog, you’ll know that I don’t give Christian-made films an easy pass, and that if I gush about something, it’s truly gushable. In this case, The Shepherd is absolutely gushable, and if you watch it, it’s liable to become mandatory yuletide viewing in your home as well.

Here’s the film:

So, here’s the link to find out more about The Chosen. Check it out, and you’ll see what I mean. Then come back here to the comment section and let me know what you thought, and then we can argue about Interstellar.

Heck, you can even give me your arguments for Die Hard as the ultimate Christmas movie. I’ll disagree with you, but you can make your arguments.

The Star – Faithful Biblical Adaptation… Where’s the Faith-based Audience?

The year is 2014.

Hollywood wide-releases two films based on biblical accounts: Noah, and Exodus: Gods and Kings.

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The Big Christian Audience responds by complaining:

“Why does Hollywood hate us so much? Why can’t they make something that is safe for my whole family? Why can’t they respect the Bible as much as I respect the Bible?”

(See here, here, here, and here.)

 

 

Fast forward to 2017.

starDevon Franklin and the folks at Sony Animation wide release the animated nativity movie The Star on nearly 3,000 screens. When asked about the film, Franklin says:

“We really looked at the scriptures that everyone is familiar with, looked at all the gospels in order to pull the right information about the birth so that when we did the film, those moments would feel authentic…we really tried to honor scripture and that was the number one priority.”

And does the Big Christian Audience respond by running out on opening weekend to support this – a big Hollywood movie put out by a major studio working together with a bunch of Christians – a project that the filmmakers have gone out of their way to “honor scripture” in the making?

Nope.

The Star only made $10,000,000, giving it the dubious distinction as the worst opening on a Sony Animation film ever, and with a budget of around $20,000,000, I doubt that there were many uncorked bottles of champagne in the Sony offices.

People who study this sort of thing think that The Star will ultimately make money, as it could conceivably play up until Christmas (why didn’t they didn’t take advantage of the Christmas season and release it later, I’ll never know), and it will also make a lot of money in DVD sales, streaming, and other post-theater revenue areas. But, this less-than-stellar (see what I did there?) opening will probably not encourage the big studios to try this again any time soon.

The argument could be made that the Big Christian Audience is just fatigued. After all, The Star was released at the end of a trio of faith-based films (Same Kind of Different as Me, Let There Be Light), and that’s a lot of movies to support. Who’s got the time or money to see so many Christian movies? But this argument does not shine very bright. After all, neither of the other two films performed very well, especially when compared to 2015’s mega smash, War Room. It’s not like the Big Christian Audience emptied out its collective pockets to support Pureflix and Kevin Sorbo, so they got nothing left for the poor animated donkey.

They’re just not showing up.

Even when Hollywood tries to cater specifically to the wants of the Big Christian Audience by making a family movie in which the filmmakers go out of their way to be “largely faithful to the biblical narrative”, the Big Christian Audience just stays at home, apparently stewing over the secret agenda of Starbucks cups. Again. Didn’t we already have that hissy-fit?

That’s good and well. After all, the Big Christian Audience is under no obligation to support Christian-made films, any more than they’re under any obligation to support CCM artists, Christian radio, Christian politicians, or anything else labeled “Christian”, and if that were the end of it, there would be no reason to write this article.

But here’s the thing. In a few years, some big Hollywood studio will put out their own retelling of a biblical story. They’ll hire a non-Christian to direct it, and the story will be given a non-traditional treatment that won’t jive with the sensibilities of the Big Christian Audience.

And the BCA will immediately jump on their smart phones and share negative articles about the director’s controversial take on the subject. They’ll take to the social media airwaves to complain about it. They’ll threaten boycotts and cry “persecution” and play the victim, because this is what the BCA does.

They’ll lament, “Why does Hollywood hate us so much? Why can’t they make something that is safe for my whole family? Why can’t they respect the Bible as much as I respect the Bible?”

And a simple, animated donkey will trot into the picture and bray…

The-Star-Steven-Yeun-as-Bo-the-Donkey

Thimblerig’s Ark Podcast Episode 8 • The Faith-Based Film Label Controversy

Film Label Controversy

In the eighth episode of the Thimblerig’s Ark Film Review podcast, I give my thoughts on the recent controversy that has been swirling since producer Mark Joseph discussed the need to get rid of the “faith-based” film label in an interview with Fox News. Joseph’s comments created quite a stir, and prompted a response from a few different people in the faith-based film business, most notably filmmaker Dallas Jenkins (“The Resurrection of Gavin Stone”), who disagreed with Joseph’s arguments.

Follow this link to listen to the podcast, and then let me know what you think!

The Thimblerig’s Ark Film Review podcast is a part of the More Than One Lesson family of podcasts, and you can listen to it as well as other great film podcasts by visiting More Than One Lesson.

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And just a head’s up… Thimblerig’s Ark 2: The Ark Heist will be coming out in just a couple of months. Keep your eye out for the sequel to Thimblerig’s Ark!

Thimblerig’s Ark Podcast Episode 7 • Shadowlands

Shadowlands

In the seventh episode of the Thimblerig’s Ark Film Review Podcast, I start a new series where I examine Hollywood’s attempts to tell “our” stories, or stories that are important to Christians. To that end, this week I took a look at 1993’s Oscar nominated Shadowlands, directed by Richard Attenborough (Ghandi, Elizabeth), written by William Nicholson (Gladiator, Les Misérables), and starring Anthony Hopkins (Silence of the Lambs and bunches of other movies) and Debra Winger (Officer and a Gentleman, Terms of Endearment)

Shadowlands tells the mostly true story of the unlikely relationship between C.S. Lewis and Joy Davidman Gresham. Lewis, as most people know, was the writer of the Narnia Chronicles, the Space Trilogy, and dozens of other books dealing with everything from writing to Renaissance literature to Christian theology.

I chose to review this film because Lewis is the unofficial patron saint of Evangelical Christianity and I wondered how his life story would be handled by people with no faith-based agenda. The film is a masterpiece of biographical filmmaking, widely considered to be Attenborough’s finest work, with high praise for the acting of both Hopkins and Winger. But even still, it’s been criticized by Lewis devotees for not being entirely factual. I look and respond to these criticisms in the podcast.

Also, I’m very interested in what the Christian audience wants from Hollywood if they are making our films, and why the Christian audience should want Hollywood to tell our stories in the first place, and so I discuss these ideas as well.

I would be curious to know what people think of this subject, and so I’d invite you to comment after you’ve taken a listen.

The Thimblerig’s Ark Film Review podcast is a part of the More Than One Lesson family of podcasts, and you can listen to it as well as other great film podcasts by visiting the More Than One Lesson website.

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Thimblerig’s Ark Podcast Episode 6 • The Resurrection of Gavin Stone

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In the sixth episode of the Thimblerig’s Ark Film Review Podcast, we look at 2017’s The Resurrection of Gavin Stone, directed by Dallas Jenkins (What If?), written by Andrea Gyertson Nasfell, and starring Brett Dalton (Agents of SHIELD), Anjelah Johnson-Reyes (Bon Qui Qui), Neil Flynn (Scrubs), D.B. Sweeney (Taken 2), and former WWF celebrity Shawn Michaels.

The Resurrection of Gavin Stone is a comedy about a washed-up former child star who is forced to do community service at a local megachurch, and pretends to be a Christian to land the part of Jesus in their annual Passion Play, only to discover that the most important role of his life is far from Hollywood.

In this episode, we review the film (how many golden groundhogs did it get?) as well as look at the state of comedy in faith based filmmaking. Also, we uncover a brilliant metaphor for the state of faith based filmmaking hidden in the scenes of Gavin Stone. 

You can listen to this episode as well as other great podcasts by visiting the More Than One Lesson website.

And oh! You can also read an interview I conducted with screenwriter Andrea Gyertson Nasfall after her last big comedy, Mom’s Night Out by clicking here.

Thimblerig’s Ark Podcast • Episode 5

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In the fifth episode of the Thimblerig’s Ark Film Review Podcast, we look at 2016’s Wildflower. Directed by Nicholas DiBella, and starring Nathalia Ramos and Cory Longo (among others), Wildflower is an unusual film in that it’s a Christian-made thriller that doesn’t have anything to do with the Rapture. I was especially excited to have a nice long conversation via Skype with Mr. Dibella and his partner, producer Jim Pavone.

The Thimblerig’s Ark Film Review Podcast is a part of the More Than One Lesson podcasting family. Check out this and other episodes as well as other great podcasts at morethanonelesson.com.